The existence of a radio station that broadcast to a non-ethnically divided audience — inadvertently promoting black unity — in a separation-obsessed state was only possible largely due to the new profit-making opportunities it provided. The earliest of these was the s series Chakijane; a drama based on the Zulu folktale trickster told through musical format. This article has multiple issues. Views Read Edit View history. Bracken High School teacher applauds student. Following his appointment to State presidency in September , F. In the wake of the strict silencing of political voice, the culture of latently planted revolutionary thought permeated some of the radio dramas; most notably those of Alexius Buthelezi. Although acts of censorship were still being practiced, blatant acts of insubordination in the form of noticeably political content slipped under the axing process and into the homes of listeners.
The removal of Geography and Citizenship [a programme directed at educating Black persons about the conditions of their South African citizenship following legislative changes] in from the lesson roll respectively served the making of parochial Black persons who remained unaware of a life outside their present reality and voiced the exclusion of Blacks from the banner of South African citizenship. Ukhozi FM not just as a radio station that broadcasts in isiZulu and Isixhosa, but is an archive of the battle for a state-independent voice in broadcasting, a space for preservation and creation of a Zulu identity — negotiating Old and New World influences As a South African Broadcasting Corporation radio station, each station is obligated to fulfil the mandate of the SABC Limited. Where the coffers of recording labels dictated a focus on commercially successful artists, Radio Bantu recorded rocks in the rough, guided only by the pleasure principle. Some argued that the maintenance of ethnically defined stations defeated the task of liberating South Africa from the clutches of segregation and deduced that financial considerations [the success of Radio Zulu as a business model] were being placed above the greater task of national accord, while others argued that Radio Zulu should be interpreted in the new order as a platform for the celebration of one of the many chalk and cheese cultures occupying South Africa; the promotion of a previous minority. I have no idea where it comes from. It was also not economically feasible to continue the black services as only a few black people could afford the radio license and receiver necessary for receipt of transmission. From its humble beginnings as a one-minute war time report service, to its current status as the second biggest radio station in the world, Ukhozi FM’s history is a long and colourful one.
Hadebe, who joined Radio Zulu as a sports commentator under the wing of Thetha Masombuka in following the splitting of Radio Bantu as an umbrella Black radio service into separate language services along ethnic lines, would broadcast soccer matches in Zulu on the weekend, then translate them into siNdebele and siSwati for the weekday sports shows with Masombuka.
Some argued that the maintenance of ethnically defined stations defeated the task of liberating South Africa from the clutches of segregation and deduced that financial considerations [the success of Radio Zulu as a business model] were being placed above the greater task of national accord, while others argued that Radio Zulu should be interpreted in the new order as a platform for the celebration of one of the many chalk and cheese cultures occupying South Africa; the promotion of a previous minority.
Zama Ngcobo is showing another side of public figures on her show ‘Leading Citizens’. Radio Rivisions Lessons Through its broadly based programmes, news and current affairs and talk shows the station has grown its listenership to well over 7.
Subsequent to the first democratic elections on 27 Mfin which ANC’s Nelson ‘Madiba’ Mandela became the first eadio following an inclusive vote, the push for the face of a country at peace with its differences began. The strangling of oppositional political voices, coupled with the unfurling of the euphemisms used for the Apartheid policy, which revealed itself as a means to create a hierarchical separately developed state, marked the s.
November Learn how and when to remove this template message. The years to saw the addition of Jabavu, Dube, Mofolo and Noordgesig being added to broadcast network to accommodate the effects of the implementation of the Bantu Education Act and the Separate Amenities Act. Whilst the space for opposing views existed prior tothe start of the Second World War narrowed the scope for what ideas could and couldn’t be transmitted.
But right now she is focused on the show.
The scheduling of this production at 3pm requires that it be more dynamic and agile in satisfying the needs of the drama listener while fulfilling the SABC mandate and realizing return on investment. Furthermore, his popularisation of call-in shows provided an uhozi line of communication for Zulu persons across physically divided spaces; highlighting commonalities and exposing nuanced differences.
The station caters drwma people ranging from young to elderly, however it focuses on the youth.
Ukhozi FM – Wikipedia
Zama slammed the rumours. The earliest of these was the s series Chakijane; a drama based on the Zulu folktale trickster told through musical format.
Masinga, one of the founding fathers of Radio Bantu, was laid to rest in the same year. It seemed only natural that this largely blank canvas would absorb the creative spirits still present in South Africa; coaxing material in spoken, written and sung form. Flushed by what would be dubbed ‘Madiba Magic’, this period exuded a delicate optimism that snapped at reminders of Apartheid’s attempt to drive deep wedges between citizens of the country.
Increased airtime, along with growing listenership, which included the increasing black labour ffm as well at the educated elite in urban areas which had access to radio transmission, allowed for greater experimentation with the material being broadcast. Woman robbed in broad daylight.
Msimang, and old hand R. Radio Bantu increased its broadcast time to On the heels of this success, sports broadcasts began reflecting the beginnings of a society attempting to integrate.
Ukhozi FM is still the home of 7. She said that she had been blown over by an interview she did with former president Jacob Zuma, one of his first since resigning from office and Robert Marawa who recently suffered a second heart attack and revealed his battles to Zama on the show.
For this reason, there were mixed reactions to keeping Radio Zulu as a purely isiZulu broadcasting service. Attempts to feign impartiality firstly faded then vanished completely.
South African Broadcasting Corporation. Radio Bantu was to transmit in 5 languages isiZulu, fn, Northern and Southern seSotho and seTswana to the respective ethnic groups in their respectively designated areas, in pursuit of the separate development policy. I want to show the human beings behind the people who make the news.
S Nyembezi Inkinsela yaseMgungundlovu and Muntu Xulu Ukubuya kukaNsakansaka eDayimane were committed to popular memory in December and respectively, when recorded and transmitted to the listeners, while Alexius Buthelezi inducted the works of John Bunyan and John Strauss into the repertoire of isiZulu literary enthusiasts; the former being a translated version of Pilgrim’s Progress Uhambo lomhambi aired in the early s and the latter being an interpretation of an opera named Ibuzwa Kwabaphambili aired in January The growing volume of the Black critical political voices of resistance during the s, especially through the African National Congress ANC and her offspring the Pan African Congress PACalong with the success of similar liberation movements across Africa from the grips of colonialism, made the need for a service that dispensed Apartheid ideology to the Black community a necessity as opposed to a luxury for the government of the time.
In the process, Buthelezi goes about preserving certain izibongo and experimenting with emotive sound. The catalogue of isiZulu literature increased as well as the variety of music genres on rotation, which then started to include American Jazz, township jive, traditional music and even gospel music. It’s fascinating to hear their struggles, challenges and their victories.
KUSA KUSA ENDS, UKHOZI FM LAUNCHES RADIONOVELA – UKHOZIFM
The novels of C. Bythe blatant correlation between changes in the Bantu education policy [following the Afrikaans Medium Decree of ], which dictated that the medium of instruction to be used from Std 5 upwards was Afrikaans, and Radio Bantu, which aired a 10 lesson preparation for this on the School Radio Service and subsequently removed older standards from the lesson roll, meant the line between SABC and the government became so blurred that it was almost non-existent.
The world of isiZulu literature contemporaneously received a resting place and an injection of life.