There were also thousands of acts of moral shabbiness, indifference, cowardice and complicity which the film does not show us. The Round Up opened in first place in its opening weekend, ranking ahead of Shutter Island at the French box office. Bosch decided to portray only real life characters in the film and cast Gad Elmaleh in the role of Joseph’s father, Schmuel Weismann. Sure, it takes more than just strong performances to carry a drama of this type out of underwhelmingness, and considering that this film is just so flawed, the final product comes out falling short of what it could have been, but not so short that it’s not powered just enough by inspiration in direction, writing and acting to engage more often than not. There’s certainly quite a bit of meat to this film’s subject matter, but this Holocaust drama is relatively minimalist, and at two hours, it outstays its welcome, going padded out by too many subplots and too much material, until, after a while, repetition rears its ugly head into things, and would be more forgivable if all of this overblown story structure wasn’t backed by atmospheric dryness. The morally bankrupt Germans and Marshal Petain’s collaborating French authorities are not different from today’s governments , starting from the illegalities and amorality and up to the absence of any real transparency of the ruling bureaucracy but somehow they are presented like something out of this world!
The film’s isn’t bone-dry to the point of being near-tedious, but the film does feel as though it’s limping along, with just enough kick to sustain your investment, at least to a certian degree, but not necessarily to where your attention is fully sustained. They were supposed to round up 22, Jews, primarily refugees from other countries. Anne Brochet as Dina Traube. The Round Up French poster. Add the first question. Bosch first decided to make a film of the events surrounding the rafle du Vel’ d’Hiv because she felt sympathy with the victims – and that is nice to hear. For this purpose Vichy also made available the famous fichier juif , established in October , which provided the names and addresses of all the Jews to be arrested.
Search for ” La Rafle ” on Amazon. Film and Fiction for French Historians: The characters are two-dimensional and the cast is required to do rqfle more than emote and express high-minded sentiments of one form or another.
It partly depends what question one is trying to answer: Every character in this film has existed. Nono Zygler as Romain Di Concerto.
Film Review: La Rafle
Follow this list on Twitter: Simmary was the policeman called to take them away who saved their lives. The collaborators start to put the plan into effect and within a short time, 13, of Paris’s Jews, among them 4, children, will be rounded up and sent on a road with no return.
La Rafle is history by numbers, ticking off key events rrafle they occur and inserting gobbets of factual information—none new or revelatory—into the narrative.
Of those who orchestrated it all. What is most noticeable about this film, as has been pointed out forcibly in a number of articles by the French historian Annette Wieviorka, is that while offering us an implacable and convincing account of the raffle of the French Vichy state, it offers a very benign view of the French population.
Taken 2 Is Less Than Captivating. Antoine Stip as Professor Saul Traube. After his parents were deported from the camp, having been forcibly separated from their children, the eleven-year-old Joseph managed to escape with one other boy through the thick barbed wire around the perimeter.
There’s certainly quite a bit of meat to this film’s subject matter, but this Holocaust drama is relatively minimalist, and at two hours, it outstays its welcome, going padded out by too many subplots and too much material, until, after a while, repetition rears its ugly head into things, and would be more forgivable if all of this overblown story structure wasn’t backed by atmospheric dryness.
In the film the perpetrators of this violence are the uniformed collaborationists but in fact we do have some testimonies describing how some local women from the village participated in this exercise. Retrieved 6 March Cameron Johnson Super Reviewer.
And surely no bakery in the occupied Paris can ever have been as laden with goodies— and bereft of queues— as the one we see in this film. As part of the Final Solution to the Jewish Question, on that hideous day of July inthe French collaborators with the aid of the Police assented to initiate the Operation Spring Breeze, to deliberately annihilate the entire Jewish population in France. Many people seeing this film were enraged and saddened because this event has left a huge scar on the collective psyche of the French – on the 75th anniversary the French presidents declared: Be the first to contribute!
La Rafle movie review — La Rafle showtimes – The Boston Globe
Post Share on Facebook. The Round Up French poster. In other words, there is no simple reaction of the French population to these events. The acting is very good, both by Jean Reno and Melanie Laurent as well.
Due to overall underwhelmingness, this film’s most genuine bits of emotional resonance are rarely all that effective, but they are here, though not all the time, because as dramatically intense as this film’s worthy subject matter is, there come points in which ambition for dramatic resonance goes a bit too far and sparks sentimentality, which doesn’t do too much damage to emotional effectiveness, but certainly does enough damage to subtelty to dilute the full genuineness and impact of certain points of dramatic punch.
Jo Weismann Joseph Weismann Hugo Leverdez as Jo Weismann.
The Round Up ( film) – Wikipedia
The doctor informs Monod that the Resistance has now learned the true fate of the deported Jews. Her remarks were strongly criticized by several French media,   and by the cinema website Selenie who accused her of “saying one of the silliest thing[s] of the last few years”.
Of those who orchestrated it all. All in all, I watched this movie with undiminished interest from the beginning arfle the end and I think it deserves a higher rating than 5. Sylvie Testud as Bella Zygler. Retrieved from ” https: The plot features several real people, including Jo Weisman and Anna Traube; in the film her mother and sister are captured, in real life they also escaped to join their father in Limoges. When Monod hears what happens to them, she races after the children despite her sick condition.
But in fact the Jewish community of Paris had been living under the shadow of increasing repression over the past two years, and there had already been three round-ups before raflr infamous one of July Edit Did You Know?
Find showtimes, watch trailers, browse photos, track your Watchlist and rate your raflee movies and TV shows on your mvie or tablet! Sentimentality may make the movie’s agony more digestible, but its darkness resists any glossing over of what isn’t only France’s, but Europe’s painful legacy. In this makers of the film benefit from, and popularise, the work of historians like Michael Marrus, Robert Paxton, and Serge Klarsfeld. Follow him at www. Yeah, a genocide proposal rqfle kind moovie hard to take seriously when you redneck it, but then again, hollering yourself nearly into a seizure about how blondes with blue eyes are the master race, whereas Jews power most everything that’s wrong in the world doesn’t sound oa much more professional, so I guess Hitler would have gotten his point across eventually, and we must never forget that tragic fact, even if we can’t really remember all of the films about it.
Roselyne Bosch sued the website for publicly insulting summray, but her case was dismissed in Aprilthe Paris Court judging that the critic did not exceed the boundaries of freedom of expression. Sure, it takes more than just strong performances to carry a drama of this type out of underwhelmingness, and considering that this film is just so flawed, the final product comes out falling short of what it could have been, but rwfle so short that it’s not powered just enough by inspiration in direction, writing and acting to engage more often than not.
But she finds the train had just left.